Ida (Empire Review)

IdaSquarePLOT On the eve of becoming a nun, orphan Anna (Kulesza) meets an aunt (Trzebuchowski) who reveals her Jewish heritage, and accompanies her on a journey into a tragic past.

Pawel Pawlikowski returns to his native Poland for the story of an orphaned young Jewish woman (Kulesza) who, on the verge of becoming a nun, accompanies her aunt (Trzebuchowski) on a more prosaic, but no less significant journey: to discover her parents’ fate during the Nazi occupation. The stage is set for a tale as bleak and chilly as a Warsaw winter, but beneath the icy surface, emotions run surprisingly deep, thanks to a captivating central performance of the less-is-more variety. Equally striking is the cinematography: Pawlikowski has a photographer’s eye for composition, and every crisp monochrome frame could be a postcard from Poland’s tragic, turbulent past.

VERDICT Pawlikowski’s return to his native Poland has gifted us with a film that feels like something Kubrick could have made early in his career, if his parents hadn’t left Poland for the Bronx. ★★★★


About David Hughes: Published Work

Empire and Time Out film critic, screenwriter of award-winning drama "Where the Road Runs Out", and MD of movie marketing agency Synchronicity, and author of books about Kubrick, Lynch and films that were never made.

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